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August 30, 2004

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As someone who was one of the hundreds of thousands who marched for peace and an end to the Bush era, last weekend, I offer the author serious props for the thoughtful and articulate pan of Simmons’ last-hour abandonment of his much-hyped hip-hop March on New York.

Simmons is the hip-hop counterpart of what author Norman Kelly recently coined “The Head Negro In Charge Syndrome” which has held the black community’s social and political agenda hostage for more than a decade. Pseudo Black icons like Simmons, who are more interested in hyping and protecting their media profiles and Crystal lifestyles than leading any movements for real change. Until they are challenged by a strong Black critique, the Black community will continue to be more and more marginalized.

When hip-hop had a chance to keep its soul, after falling prey to Madison Avenue and gangsta pretenders, Simmons, the genre’s most powerful figure, steadfastly defended the thug life which disses the values of education, civility and respect for women so needed among our Black young. It’s all very sad considering that hip-hop once was a revolutionary cultural phenomenon, like the bebop of the 40s. Who, now, believes that hip-hop still is about anything that matters.

While I was initially reluctant to this story because of the "fractured hip-hop nation" line, I believe that the author of this blog makes several valid points. My sole challenge is to the point about having to dangle celebrities to get kids to these types of events. While Generation Y is clearly more cause conscious than its Gen X predecessors, you still need to break through the clutter and using rap stars to draw young crowds accomplishes this.

I have mixed feelings about moguls such as Rush and P Diddy. I think they are profit hungry yet do mean to do many things that are positive. The lure of Miami and the VMAs were probably too strong - witness P Diddy's entrance on a cruise ship! While the author's point that this missed opportunity was a crucial one is air tight, it is not the only time that voter registration was on the hip-hop leaders' agenda. At other rallies, many new voters were added to the ranks.

As we all know, the VMAs are the Super Bowl for teens and young adults. The VMAs were bombarded with "Vote or Die" and "get out and vote" messages. I would argue that many more impressions were made via that show than would have been in NYC. However, the author's telling inclusion of past PR by Simmons and others shows that the moguls' word may not be bond.

Sad, but consistent with what I've always believed about Hip Hop as a nation: it's values are no deeper than it's momentary grooves, which are actually virtual, not even pressed in vinyl anymore.

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